Various biological systems have been subjected to mathematical modelling to enhance our understanding of the intricate interactions among different species. Among these models, the predator-prey model holds a significant position. Its relevance stems not only from its application in biology, where it largely governs the coexistence of diverse species in open ecosystems, but also from its utility in other domains. 

Predator-prey dynamics have long been a focal point in population ecology, yet access to real-world data is confined to relatively brief periods, typically less than a century. Studying predator-prey dynamics over extended periods presents challenges due to the limited availability of population data spanning more than a century. The most extensive dataset is the hare-lynx records from the Hudson Bay Company, documenting a century of fur trade [1]. However, other records are considerably shorter, usually spanning decades [2,3]. This constraint hampers our capacity to investigate predator-prey interactions over centennial or millennial scales. 

Marom and Wolkowski [4] propose here that leveraging regional radiocarbon databases offers a solution to this challenge, enabling the reconstruction of predator-prey population dynamics over extensive timeframes. To substantiate this proposition, they draw upon examples from Pleistocene Beringia and the Holocene Judean Desert. This approach is highly relevant and might provide insight into ecological processes occurring at a time scale beyond the limits of current ecological datasets. 

The methodological approach employed in this article proposes that the summed probability distribution (SPD) of predator radiocarbon dates, which reflects changes in population size, will demonstrate either more or less variation than anticipated from random sampling in a homogeneous distribution spanning the same timeframe. A deviation from randomness would imply a covariation between predator and prey populations. This basic hypothesis makes no assumptions about the frequency, mechanism, or cause of predator-prey interactions, as it is assumed that such aspects cannot be adequately tested with the available data. If validated, this hypothesis would offer initial support for the idea that long-term regional radiocarbon data contain signals of predator-prey interactions. This approach could justify the construction of larger datasets to facilitate a more comprehensive exploration of these signal structures.

References

[1] Elton, C. and Nicholson, M., 1942. The Ten-Year Cycle in Numbers of the Lynx in Canada. J. Anim. Ecol. 11, 215–244.

[2] Gilg, O., Sittler, B. and Hanski, I., 2009. Climate change and cyclic predator-prey population dynamics in the high Arctic. Glob. Chang. Biol. 15, 2634–2652. https://doi.org/10.1111/j.1365-2486.2009.01927.x

[3] Vucetich, J.A., Hebblewhite, M., Smith, D.W. and Peterson, R.O., 2011. Predicting prey population dynamics from kill rate, predation rate and predator-prey ratios in three wolf-ungulate systems. J. Anim. Ecol. 80, 1236–1245. https://doi.org/10.1111/j.1365-2656.2011.01855.x

[4] Marom, N. and Wolkowski, U. (2024). A note on predator-prey dynamics in radiocarbon datasets, BioRxiv, 566733, ver. 4 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.1101/2023.11.12.566733

The paper “HORAI: An integrated management model for historical information” presents a novel model for managing historical information. The study draws from an extensive indepth work in historical information management and a multi-disciplinary corpus of research ranging from heritage infrastructure research and practice to information studies and archival management literature. The paper ties into several key debates and discussions in the field showing awareness of the state-of-the-art of data management practice and theory. The authors argue for a new semantic data model HORAI and link it to a four-phase data management lifecycle model. The conceptual work is discussed in relation to three existing information systems partly predating and partly developed from the outset of the HORAI-model.

While the paper shows appreciable understanding of the practical and theoretical state-of-the-art and the model has a lot of potential, in its current form it is still somewhat rough on the edges. Many of the both practical and theoretical threads introduced in the text warrant also more indepth consideration and it will be interesting to follow how the work will proceed in the future. For example, the comparison of the HORAI model and the ISAD(G): General International Standard Archival Description standard in the figure 1 is interesting but would require more elaboration. A slightly more thorough copyediting of the text would have also been helpful to make it more approachable.

As a whole, in spite of the critique, I find both the paper and the model as valuable contributions to the literature and the practice of managing historical information. The paper reports thorough work, provides a lot of food for thought and several interesting lines of inquiry in the future.

References

Del Fresno Bernal, P., Medina Gordo, S. and Travé Allepuz, E. (2024). HORAI: An integrated management model for historical information. CAA 2023, Amsterdam, Netherlands. https://doi.org/10.5281/zenodo.8185510

“Hypercultural types: archaeological objects in fast times” by A. Ribeiro (1) offers some timely, critical and creative reflections on the manifold struggles of and disappointments in type-thinking and typological approaches in recent archaeological scholarship. Ribeiro insightfully situates what has been identified as a “crisis” in archaeological typo-praxis in the historical conditions of postmodernity and late capitalism themselves. The author thereby attempts what he himself considers “quite hard”, namely “to understand the current Zeitgeist and how it affects how we think and do archaeology” (p. 4). This provides a sort of historical epistemology of the present which can of course only be preliminary and incomplete as it crystallizes, takes shape, and transforms as we write these lines, is available only in fragments and hints, and is generally difficult to talk about and describe as we (the author included) lack critical distance – present-day archaeologists and fellow academics are both enfolded in postmodernity and continue to contribute to its logics and trajectories. Ribeiro’s key argument is provocative as it is interesting: he contends that archaeologists’ difficulties of coming to terms with types and typologies – staple knowledge practices of the discipline ever since – are a symptom of the changing cultural matrix of our times. 

The diagnosis is multilayered and complex, and Ribeiro at times only scratches the surface of what may be at stake here as he openly admits himself. At the core of his proposal is a shift in attention away from classical questions of epistemological rank, which in archaeology have tended to orbit the contentious issue of the reality of types (see also 2). Instead of foregrounding the question of type-realities – whether types, once identified, can be meaningfully said to exist and to represent something significant in the world – archaeologists are urged to recognize that typo-praxis is culturally saturated in at least two profound ways. First, devising and mobilizing types and typologies is a cultural practice itself – it may indeed have long been a foundational ‘cultural technique’ (Kulturtechnik) (3) of archaeology as a disciplined community-venture of methodical knowledge production. Typo-centric understandings of the archaeological record are quite akin to definition-centric apprehensions of the same as in both cases order, discreteness, and one-to-one correspondence are considered overriding epistemic virtues and credible pointers to a subject-independent “reality”. As such, these practices have a location of their own and they may thus notably conflict with the particularities of alternate and ever-mutating phenomenal realities and historical conditions. Discreteness may for instance lose its paradigmatic status as a descriptor of worldly order, and this is precisely what Ribeiro argues to have happened in the wake of postmodern transformations, influentially said to have deeply reconfigured the relation between the local and the global, at times even superseding such distinctions altogether. When coupled to questions of reality, types, in a similar fashion as definitions, quickly become vehicles to affirm epistemic power and knowledge authority and so help certify certain kinds of realities while supressing others. This is the paradox of modernity: to insist on monolithic understandings of the world while professing radical difference. 

Second, and for Ribeiro more importantly, typo-praxis is not just subject to cultural variation and thus by implication is plural, it also always has its proper associated cultural milieu in which it exerts some sort of efficacy, i.e. enables action and insight. Ribeiro maintains that this sort of efficacy has become contentious under postmodern conditions and this is because culture, under the gaze of global consumerism, has lost much of its classical significance, and as “hyperculture” (4) developed new logics, significations, and material culture correspondences, essentially “flattening” the highly textured and differentiated world of modernity (p. 6). Some of these new configurations sharply violate the expectations of traditional views of culture. The postmodern situation has in this way effectively emerged as a resistant force proffering much caution and growing scepticism among archaeologists and other academics alike as received ideas about “types” and “cultures” do not seem to work anymore the same way as before. The credibility of different modes of typo-praxis, archaeological or not, in other words, may depend much more on the cultural ecology of lived experience and contemporary diagnosis than is often realized. With Ribeiro, we may say that culture concepts and type concepts are indeed co-constitutive, and what sort of types and typologies archaeologists can persuasively deploy thus also depends greatly on how we construct the link between culture and type, and how (well) we grapple with our own realities and the lessons we draw from them – yet another important reminder of how our own subjectivities figure in such foundational debates (see esp. 5).

The crisis of typo-praxis in archaeology, then, is intricately linked to the crisis of modernity, broached by Ribeiro with the labels of postmodernity and late capitalism. Upon reflection, this is not surprising at all since Tylor’s (6) influential definition of culture for example, which is extensively referenced in the paper, was both reflective of and conducive to the project of modernity and its distinctive historical formations such as empire and colonialism. Ribeiro reminds us that questions of justification and credibility, be it in the domain of type-thinking or other epistemic contexts, can never be fully divorced from the contemporary situation, and archaeologists thus need to be vigilant observers of the present, too. Typo-praxis ultimately is motivated by and draws authority from what Foucault (7) has called épistémè, the totality of pertinent parameters forming the historical a priori of understanding or the guiding unconsciousness of subjectivity within a given epoch. The crisis of archaeological typo-praxis, in this view, signifies a calling into question of the historical a priori on which much traditional type-work in archaeology was premised. Archaeologists still have to come to terms with the implications and consequences of this assessment. “Hypercultural types: archaeological objects in fast times” offers a first poignant analysis of some of these challenges of postmodern archaeological type-thinking.

Bibliography

1. Ribeiro, A. (2024). Hypercultural types: archaeological objects in fast times. Zenodo, 10567441, ver. 3 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.10567441

2. Hussain, S. T. (2024). The Loss of Typological Innocence: An Archaeology of Archaeological Typo-Praxis. Zenodo, 10567441. https://doi.org/10.5281/zenodo.10547264

3.  Macho, T. (2013). Second-Order Animals: Cultural Techniques of Identity and Identification. Theory, Culture & Society 30, 30–47. https://doi.org/10.1177/0263276413499189

4. Han, B.-C. (2022). Hyperculture: culture and globalization (Polity Press).

5. Frank, A., Gleiser, M. and Thompson, E. (2024). The blind spot: why science cannot ignore human experience (The MIT Press). https://doi.org/10.7551/mitpress/13711.001.0001

6. E. B. Tylor, E. B. (1871). Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom (J. Murray).

7.  Foucault, M. (2007). The order of things: an archaeology of the human sciences, Repr (Routledge).

Establishing the precise location of ancient cities constitutes a challenging task that requires the implementation of multi-disciplinary approaches. In his manuscript entitled “Raphana of the Decapolis and its successor Arpha: The search of an eminent Greco-Roman city”, Kleb (2022) proposes a convincing argument building on in-depth research of classical literary sources, literature review of explorer accounts and scientific publications from the 19th and 20th century as well as analysis of old and new maps, aerial photographs, and satellite images. This research report clearly emphasizes the importance of undertaking systematic interdisciplinary work on the topic to mitigate the uncertainties associated with the identification of Raphana, the Decapolis city first mentioned by Pliny the Elder.

The Decapolis refers to a group of ten cities of Hellenistic traditions located on the eastern borders of the Roman Empire. This group of cities plays an important role in research that aims to contextualize the Judaean and Galilean history and to investigate urban centers in which different local and Greco-Roman influences met (Lichtenberger, 2021). While the location of most of the Decapolis cities is known and is (or was) subjected to systematic archaeological investigations (e.g., Eisenberg and Kowalewska, 2022; Makhadmeh et al., 2020; Shiyab et al., 2019), the location of others remain speculative. This is the case of Raphana for which the precise location remains difficult to establish owing in part to numerous name changes, limited information on the city structure, architecture, and size, etc.

The research presented by Kleb (2022) has some merits, which is emphasized here, although the report is presented in an unusual format compared to traditional scientific articles, i.e., introduction, research background, methodology, results, and discussion. First, the extensive review of classical works allows the reader to gain a historical perspective on the change of names from Raepta/Raphana to Arpha/Arefa. The author argues these different names likely refer to a single location. Second, the author combs through an impressive literature from the 19th and 20th century and emphasize how some assumptions by explorers who visited the region were introduced in the scientific literature and remained unchallenged. Finally, the author gathers a remarkable quantity of old and new maps of the Golan, el-Ledja and Hauran regions and compare them with multiple lines of evidence to hypothesize that the location of Raphana may lie near Ar-Rafi’ah, also known as Bir Qassab, in the Ard el Fanah plain, a conclusion that now requires to be tested through fieldwork investigations.

References

Kleb, J. (2022) Raphana of the Decapolis and its successor Arpha - The search for an eminent Greco-Roman City. Figshare, 20550021, ver. 4 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.6084/m9.figshare.20550021

Eisenberg, M. and Kowalewska, A. (2022). Funerary podia of Hippos of the Decapolis and the phenomenon in the Roman world. J. Roman Archaeol. 35, 107–138. https://doi.org/10.1017/S1047759421000465

Lichtenberger, A. (2021). The Decapolis, in: A Companion to the Hellenistic and Roman Near East. John Wiley & Sons, Ltd, pp. 213–222. https://doi.org/10.1002/9781119037354.ch18

Makhadmeh, A., Al-Badarneh, M., Rawashdeh, A. and Al-Shorman, A. (2020). Evaluating the carrying capacity at the archaeological site of Jerash (Gerasa) using mathematical GIS modeling. Egypt. J. Remote Sens. Space Sci. 23, 159–165. https://doi.org/10.1016/j.ejrs.2018.09.002

Shiyab, A., Al-Shorman, A., Turshan, N., Tarboush, M., Alawneh, F. and Rahabneh, A. (2019). Investigation of late Roman pottery from Gadara of the Decapolis, Jordan using multi-methodic approach. J. Archaeol. Sci. Rep. 25, 100–115. https://doi.org/10.1016/j.jasrep.2019.04.003

Tsaknaki et al. (2023) discuss a work-in-progress project in which the presentation of Cultural Heritage is communicated using Serious Games techniques in a story-centric immersive narration instead of an exhibit-centered presentation with the use of Gamification, Augmented and Virtual Reality technologies. In the introduction the authors present the project called ECHOES, in which knowledge about the past of Thessaloniki, Greece is planned to be processed as an immersive and interactive experience. After presenting related work and the methodology, the authors describe the proposed design of the Serious Game and close the article with a discussion and conclusions.

The paper is interesting because it highlights an ongoing process in the realm of the visualization of Cultural Heritage (see for example Champion 2016). The process described by the authors on how to accomplish this by using Serious Games, Gamification, Augmented and Virtual Reality is promising, although still hypothetical as the project is ongoing. It remains to be seen if the proposed visuals and interactive elements will work in the way intended and offer users an immersive experience after all. A preliminary questionnaire already showed that most of the respondents were not familiar with these technologies (AR, VR) and in my experience these numbers only change slowly. One way to overcome the technological barrier however might be the gamification of the experience, which the authors are planning to implement.

I decided to recommend this article based on the remarks of the two reviewers, which the authors implemented perfectly, as well as my own evaluation of the paper. Although still in progress it seems worthwhile to have this article as a basis for discussion and comparison to similar projects. However, the article did not mention the possible longevity of data and in which ways the usability of the Serious Game will be secured for long-term storage. One eminent problem in these endeavors is, that we can read about these projects, but never find them anywhere to test them ourselves (see for example Gabellone et al. 2016). It is my intention with this review and the recommendation, that the ECHOES project will find a solution for this problem and that we are not only able to read this (and forthcoming) article(s) about the ECHOES project, but also play the Serious Game they are proposing in the near and distant future.

References

Champion, Erik Malcolm. 2016. „Entertaining the Similarities and Distinctions between Serious Games and Virtual Heritage Projects“. Entertainment Computing 14 (Mai): 67–74. https://doi.org/10.1016/j.entcom.2015.11.003

Gabellone, Francesco, Antonio Lanorte, Nicola Masini, und Rosa Lasaponara. 2016. „From Remote Sensing to a Serious Game: Digital Reconstruction of an Abandoned Medieval Village in Southern Italy“. Journal of Cultural Heritage. https://doi.org/10.1016/j.culher.2016.01.012

Tsaknaki, Electra, Anastasovitis, Eleftherios, Georgiou, Georgia, Alagialoglou, Kleopatra, Mavrokostidou, Maria, Kartsiakli, Vasiliki, Aidonis, Asterios, Protopsalti, Tania, Nikolopoulos, Spiros, and Kompatsiaris, Ioannis. (2023). Designing Stories from the Grave: Reviving the History of a City through Human Remains and Serious Games, Zenodo, 7981323, ver. 4 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.7981323