Tharandt, LouisePlease use the format "First name initials family name" as in "Marie S. Curie, Niels H. D. Bohr, Albert Einstein, John R. R. Tolkien, Donna T. Strickland"
<p>The Düwelsteene near Heiden, Westphalia, is one of the most southern megalithic tombs of the Funnel Beaker culture. In 1932 the Düwelsteene were restored and the appearance of the grave was changed. Even though the megalithic tomb was excavated under archaeological supervision and was restored based on the scientific knowledge at that time, there are not many sources of how the tomb looked like before it was restored.<br>In 2014 a digital twin of the megalithic tomb was created through Image-based Modeling. With this 3D model, it was possible to turn back time and reconstruct how the Düwelsteene could have looked like before the restoration in 1932. The source of this reconstruction of the tomb before 1932 was a Citizen Science project, in which the citizens of Heiden and the surrounding areas were asked to look for and send in photographs of the megalithic tomb before the restoration in 1932. With these images the digital reconstruction could be created. From this reconstruction, a third 3D model could be created. It depicts the Düwelsteene and how they could have looked like around 3000 BC, a time in which the megalithic tomb could have been used.</p>
<p>For the master's thesis in Digital Archaeology at the University of Cologne the Düwelsteene can now be viewed as three different 3D models on a website, which was created as a visualisation of the megalithic tomb and also a 3D supplement for the thesis. The "Devil's Stones" are displayed as a digital model of how the grave looks today, they are also depicted as a 3D reconstruction before their restoration in 1932 and as a reconstruction model of how the megalithic tomb could have looked like around 3000 BC.</p>
<p> </p>
<p>The website is to be considered for the CAA 2023 Proceedings</p>
<p>3Duewelsteene - A website for the 3D visualization of the megalithic passage grave Düwelsteene near Heiden in Westphalia, Germany</p>
<p>The Düwelsteene, one of the southernmost sites of a megalithic tomb of the Funnel Beaker culture in Westphalia, western Germany, has been a place of interest for archaeological research since the early modern period and are now the foundation for new digital research methods. This megalithic tomb holds special interest for a study project because of its reconstruction history. The Düwelsteene is a restored archaeological structure and the current positioning of the megaliths dates to 1932. At that time the megalithic tomb was restored and the stones that had been in situ were relocated to recreate the structure as it was believed to have been in antiquity. <br>As part of a master’s thesis, this study compared the extensive impact that such an intrusive restoration had, in contrast to the contact-less method of virtual reconstructions. By integrating the citizen science project, using digital research methods and creating virtual reconstructions, the advantages and disadvantages of digital reconstructions and public outreach in archaeology were examined.</p>
<p>Collecting old photographs through a citizen science project in the region of the Düwelsteene, allowed the virtual reconstruction of the megalithic tomb from before the tangible restoration in 1932 with the open source software Blender. This virtual reconstruction also provided more informative sources for the creation of a digital reconstruction of the original Düwelsteene structure of around 3000 BC. The initiative started as a top-down citizen science project engaging the public to collect data. But it resulted in a community driven, bottom-up project with the subsequent reconstructions being built with open source programs and shared online. <br>The website to display the virtual reconstructions and 3D model of the current structure was built with Bootstrap and is hosted on GitHub. The advantage of GitHub is the integrated version control and open access to the data and code used for the website. To display the virtual models, the 3D viewer 3DHOP (3D Heritage Online Presenter) was used. The basic 3DHOP viewer has a number of features already integrated, which are helpful for displaying cultural heritage content. It is possible to change the lighting, zoom in and out of the model and measure the 3D models in the viewer. The 3D objects can be cut into sections to see inside and a basic code for annotations is provided. For this website even more features were built, like the visualisation of the certainty with which the reconstructed megaliths were positioned. On the website it is also possible to toggle the reconstructed hill on and off and view the metadata for each model.</p>
<p>The digital reconstruction work of the Düwelsteene would have been much harder without the photographs collected through the citizen science project. Needing to rely on data from outside of archaeology shows the impact of hands-on restoration work on tangible cultural heritage sites, especially when such work is not documented enough. This also emphasises the benefits of virtual reconstructions, where hypotheses can be tested and comparisons between structures are much easier implemented.</p>
<p>Using digital methods and three-dimensional models can help visualise the changes and lead on to new findings. Especially with many archaeological sites presently being excavated and documented using digital methods in surveys, it is much easier to use the resulting data for further research. Even without prior excavation or documentation work, many cultural heritage sites can easily be turned into digital models due to new image-based modelling techniques, that don’t require time consuming methods and expensive equipment. <br>For this project digital archaeological research and virtual visualisations was combined to also benefit the general public. It was demonstrated, that projects using 3D reconstruction modelling as a research environment can be published and help spread awareness and information on cultural heritage sites to the general public. Most programs and software that were used, were open-source. The publication of the 3D models on the website can be tracked and downloaded, which means the workflow and features can be used and applied to other cultural heritage projects. </p>
<p>The website: https://3duewelsteene.github.io<br>English Version: https://3duewelsteene.github.io/index_en.html<br>The GitHub repository: https://github.com/3Duewelsteene/3Duewelsteene.github.io</p>
<p><br>Tharandt, Louise <br>Archäoinformatik, Institute of Archaeology, University of Cologne, Kerpener Straße 30, 50931 Cologne<br>(l.tharandt@smail.uni-koeln.de)</p>
<p>References</p>
<p>Hageneuer, Sebastian. 2020. “The Challenges of Archaeological Reconstruction: Back Then, Now and Tomorrow” In Communicating the Past in the Digital Age: Proceedings of the International Conference on Digital Methods in Teaching and Learning in Archaeology (12–13 October 2018) edited by Sebastian Hageneuer, 101–112. London: Ubiquity <br>Press. DOI: https://doi.org/10.5334/bch.h. </p>
<p>Klinke, Leo. 2021. “Virtuelle Massen-Bewegung. Die digitale 3-D-Rekonstruktion des Megalithgrabes Große Sloopsteene bei Lotte-Wersen, Kreis Steinfurt.” Ausgrabungen und Funde in Westfalen-Lippe 15: 257-326. LWL-Archäologie für Westfalen. </p>
<p>Potenziani, Marco, Marco Callieri, Matteo Dellepiane, Massimiliano Corsini, Federico Ponchio, and Roberto Scopigno. 2015. “3DHOP: 3D Heritage Online Presenter” Computers & Graphics 52: 129–141. https://doi.org/10.1016/j.cag.2015.07.001.</p>
Florian Thiery M.Sc., Römisch-Germanisches Zentralmuseum, Department of Scientific Computing and Research Software Engineering, Mainz, Germany, mail@fthiery.de, Oula Seitsonen, Iza Romanowska, Ronald Visser, Isto Huvila, Daniel Carvalho
e.g. John Doe john@doe.com
No need for them to be recommenders of PCIArchaeology. Please do not suggest reviewers for whom there might be a conflict of interest. Reviewers are not allowed to review preprints written by close colleagues (with whom they have published in the last four years, with whom they have received joint funding in the last four years, or with whom they are currently writing a manuscript, or submitting a grant proposal), or by family members, friends, or anyone for whom bias might affect the nature of the review - see the code of conduct