The manuscript "The management of symbolic raw materials in the Late Upper Paleolithic of South-Western France: a shell ornaments perspective" by Solange Rigaud and colleagues (Rigaud et al. 2022) is a perfect demonstration that appropriate scientific methodologies can be used effectively in order to enhance the historical value of findings from “old” collections, despite the lack of secure stratigraphic and contextual data. The shell assemblage (n = 377) investigated here (from Rochereil, Dordogne) had been excavated during the first half of the 20th century (Jude 1960) and reported in 1993 (Taborin 1993), but only this recent analysis revealed that it was composed of largely unmodified mollusc shells, most of allochthonous origin. Rigaud et al. interpret this finding as the raw materials used to produce personal ornaments. This is especially significant, because the focus of research has been on the manufacture, use and exchange of personal ornaments in prehistory, much less so on the procurement of the raw materials. As such, the manuscript adds substantially to the growing literature on Magdalenian social networks.

The authors carried out detailed taxonomic analysis based on morphological and morphometric characteristics and identified at least nine different species, including Dentalium sp., Ocenebra erinaceus, Tritia reticulata and T. gibbosula, as well as some bivalve specimens (Mytilus, Glycymeris, Spondylus, Pecten). Most of the species are commonly found in personal ornament assemblages from the Magdalenian, reflecting intentional selection (also shown by the size sorting of some of the taxa), and cultural continuity. However, microscopic examinations revealed securely-identified anthropogenic modifications on a very limited number of specimens: one Glycymeris valve (used as an ochre container), one Cardiidae valve (presence of a groove), one perforated Tritia gibbosula and two perforated Tritia reticulata bearing striations. The authors interpret this combination of anthropogenic vs natural “signals” as signifying that the assemblage represents raw material selected and stored for further processing. 

Assessing the provenance and age of the shells is therefore paramount: the shells found at Rochereil belong to species that can be found on both the Atlantic and Mediterranean coasts. Assuming that molluscan taxa distribution in the past is comparable to that for the present day, this implies the exploitation of two catchment areas and long-distance transportation to the site: taking sea-level changes into account, during the Magdalenian the Mediterranean used to lie at a distance of 350 km from Rochereil, and the Atlantic was not significantly closer (~200 km). Importantly, exploitation of fossil shells cannot be discounted on the basis of the data presented here; direct dating of some of the specimens (e.g. by radiocarbon, or amino acid racemisation geochronology) would be beneficial to clarify this issue and in general to improve chronological control on the accumulation of shells. Nonetheless, the authors argue that the closest fossil deposits also lie more than 200 km away from the site, thus the material is allochthonous in origin.

In synthesis, the Rochereil assemblage represents an important step towards a better understanding of the procurement chain and of the production of ornaments during the European Upper Palaeolithic. 

References

Jude, P. E. (1960). La grotte de Rocherreil: station magdalénienne et azilienne, Masson.

Rigaud, S., O'Hara, J., Charles, L., Man-Estier, E. and Paillet, P. (2022) The management of symbolic raw materials in the Late Upper Paleolithic of South-Western France: a shell ornaments perspective. SocArXiv, z7pqg, ver. 4 peer-reviewed and recommended by Peer community in Archaeology. https://doi.org/10.31235/osf.io/z7pqg

Taborin, Y. (1993). La parure en coquillage au Paléolithique, CNRS éditions.

In response to the feedback provided by the reviewers, the authors have undertaken a comprehensive revision of the manuscript [1]. These revisions have specifically targeted the primary concerns raised regarding the clarity and structure of the argument concerning the transformative impact of Archaeological Information Systems (AIS) on archaeological practices. In my view the revised manuscript now more clearly articulates the distinction between internal and external interoperability and emphasizes the critical importance of integrating contextual information with archaeological data. This approach directly addresses the previously identified need for enhanced traceability and usability of archaeological data, ensuring that the manuscript's contributions to the field are both clear and impactful.

Moreover, the application of the proposed model at the Bibracte site is illustrated with greater clarity, serving as a concrete example of how the challenges associated with documentation and data management can be effectively addressed through the methodologies proposed in the paper. This practical demonstration enriches the manuscript, providing readers with a much clearer understanding of the model's applicability and benefits in real-world archaeological practice.

The authors have also made significant efforts to refine the overall structure and coherence of the manuscript. By making complex concepts more accessible and ensuring a cohesive narrative flow throughout, the manuscript now offers a more engaging and comprehensible read. This has been achieved through careful rephrasing and restructuring of sections, particularly those relating to the T!O model's application and the conclusion, thereby enhancing reader engagement and comprehension.

Alongside these structural and conceptual clarifications, explicit discussion of potential areas for future research, not only acknowledges the limitations of the current study but also highlights the significant potential for digital technologies to contribute to archaeological methodology and knowledge production. As such, the manuscript opens up new avenues for exploration and invites further scholarly engagement with the topics it addresses.

I believe, these revisions address the earlier feedback quite comprehensively, presenting a robust and compelling argument for the adoption of collaborative and technologically informed approaches in the field of archaeology. The manuscript now stands as a strong example of the critical role AIS could/should play in transforming archaeological practices, offering valuable insights into how these kinds of systems might enhance the management, accessibility, and understanding of archaeological data. Through this revised submission, the authors have significantly strengthened their contribution to the ongoing discourse on digital archaeology, demonstrating the practical and theoretical implications of their work for the broader archaeological community. I am happy, therefore to recommend this paper for acceptence.

Reference

[1] Lacombe, E., Lukas, D. and Durost, S. (2024). The transformation of an archaeological community and its resulting representations in the context of the co-development of open Archaeological Information Systems. Zenodo, 8309732, ver. 3 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.8309732

The paper entitled “Tool types and the establishment of the Late Palaeolithic (Later Stone Age) cultural taxonomic system in the Nile Valley”  submitted by A. Leplongeon offers a review of the many cultural taxonomic in use for the prehistory – especially the Late Palaeolithic/Late Stone Age – of the Nile Valley (Leplongeon 2023). This paper was first developed for a special conference session convened at the EAA annual meeting in 2021 and is intended for an edited volume on the topic of typology and taxonomy in archaeology.

Issues of cultural taxonomy have recently risen to the forefront of archaeological debate (Reynolds and Riede 2019; Ivanovaitė et al. 2020; Lyman 2021). Archaeological systematics, most notably typology, have roots in the research history of a particular region and period (e.g. Plutniak 2022); commonly, different scholars employ different and at times incommensurable systems, often leading to a lack of clarity and inter-regional interoperability. African prehistory is not exempt from this debate (e.g. Wilkins 2020) and, in fact, such a situation is perhaps nowhere more apparent than in the iconic Nile Valley. The Nile Valley is marked by a complex colonial history and long-standing archaeological interest from a range of national and international actors. It is also a vital corridor for understanding human dispersals out of and into Africa, and along the North African coastal zone. As Leplongeon usefully reviews, early researchers have, as elsewhere, proposed a variety of archaeological cultures, the legacies of which still weigh in on contemporary discussions. In the Nile Valley, these are the Kubbaniyan (23.5-19.3 ka cal. BP), the Halfan (24-19 ka cal. BP), the Qadan (20.2-12 ka cal BP), the Afian (16.8-14 ka cal. BP) and the Isnan (16.6-13.2 ka cal. BP) but their temporal and spatial signatures remain in part poorly constrained, or their epistemic status debated. Leplongeon’s critical and timely chronicle of this debate highlights in particular the vital contributions of the many female prehistorians who have worked in the region – Angela Close (e.g. 1978; 1977) and Maxine Kleindienst (e.g. 2006) to name just a few of the more recent ones – and whose earlier work had already addressed, if not even solved many of the pressing cultural taxonomic issues that beleaguer the Late Palaeolithic/Later Stone Age record of this region. 

Leplongeon and colleagues (Leplongeon et al. 2020; Mesfin et al. 2020) have contributed themselves substantially to new cultural taxonomic research in the wider region, showing how novel quantitative methods coupled with research-historical acumen can flag up and overcome the shortcomings of previous systematics. Yet, as Leplongeon also notes, the cultural taxonomic framework for the Nile Valley specifically has proven rather robust and does seem to serve its purpose as a broad chronological shorthand well. By the same token, she urges due caution when it comes to interpreting these lithic-based taxonomic units in terms of past social groups. Cultural systematics are essential for such interpretations, but age-old frameworks are often not fit for this purpose. New work by Leplongeon is likely to not only continue the long tradition of female prehistorians working in the Nile Valley but also provides an epistemologically and empirically more robust platform for understanding the social and ecological dynamics of Late Palaeolithic/Later Stone Age communities there.

Bibliography 

Close, Angela E. 1977. The Identification of Style in Lithic Artefacts from North East Africa. Mémoires de l’Institut d’Égypte 61. Cairo: Geological Survey of Egypt.

Close, Angela E. 1978. “The Identification of Style in Lithic Artefacts.” World Archaeology 10 (2): 223–37. https://doi.org/10.1080/00438243.1978.9979732

Ivanovaitė, Livija, Serwatka, Kamil, Steven Hoggard, Christian, Sauer, Florian and Riede, Felix. 2020. “All These Fantastic Cultures? Research History and Regionalization in the Late Palaeolithic Tanged Point Cultures of Eastern Europe.” European Journal of Archaeology 23 (2): 162–85. https://doi.org/10.1017/eaa.2019.59

Kleindienst, M. R. 2006. “On Naming Things: Behavioral Changes in the Later Middle to Earlier Late Pleistocene, Viewed from the Eastern Sahara.” In Transitions Before the Transition. Evolution and Stability in the Middle Paleolithic and Middle Stone Age, edited by E. Hovers and Steven L. Kuhn, 13–28. New York, NY: Springer.

Leplongeon, Alice. 2023. “Tool Types and the Establishment of the Late Palaeolithic (Later Stone Age) Cultural Taxonomic System in the Nile Valley.” https://doi.org/10.5281/zenodo.8115202

Leplongeon, Alice, Ménard, Clément, Bonhomme, Vincent and Bortolini, Eugenio. 2020. “Backed Pieces and Their Variability in the Later Stone Age of the Horn of Africa.” African Archaeological Review 37 (3): 437–68. https://doi.org/10.1007/s10437-020-09401-x

Lyman, R. Lee. 2021. “On the Importance of Systematics to Archaeological Research: The Covariation of Typological Diversity and Morphological Disparity.” Journal of Paleolithic Archaeology 4 (1): 3. https://doi.org/10.1007/s41982-021-00077-6

Mesfin, Isis, Leplongeon, Alice, Pleurdeau, David, and Borel, Antony. 2020. “Using Morphometrics to Reappraise Old Collections: The Study Case of the Congo Basin Middle Stone Age Bifacial Industry.” Journal of Lithic Studies 7 (1): 1–38. https://doi.org/10.2218/jls.4329

Plutniak, Sébastien. 2022. “What Makes the Identity of a Scientific Method? A History of the ‘Structural and Analytical Typology’ in the Growth of Evolutionary and Digital Archaeology in Southwestern Europe (1950s–2000s).” Journal of Paleolithic Archaeology 5 (1): 10. https://doi.org/10.1007/s41982-022-00119-7

Reynolds, Natasha, and Riede, Felix. 2019. “House of Cards: Cultural Taxonomy and the Study of the European Upper Palaeolithic.” Antiquity 93 (371): 1350–58. https://doi.org/10.15184/aqy.2019.49

Wilkins, Jayne. 2020. “Is It Time to Retire NASTIES in Southern Africa? Moving Beyond the Culture-Historical Framework for Middle Stone Age Lithic Assemblage Variability.” Lithic Technology 45 (4): 295–307. https://doi.org/10.1080/01977261.2020.1802848

This paper (2023) describes The Living Hill project dedicated to the archaeological park and fortress of Poggio Imperiale in Poggibonsi, Italy. The project is a collaboration between the Poggibonsi excavation and Entertainment Games App, Ltd. From the start, the project focused on the question of the intended audience rather than on the used technology. It was therefore planned to involve the audience in the creation of the game itself, which was not possible after all due to the covid pandemic. Nevertheless, the game aimed towards a visit experience as close as possible to reality to offer an educational tool through the video game, as it offers more periods than the medieval period showcased in the archaeological park itself.

The game mechanics differ from a walking simulator, or a virtual tour and the player is tasked with returning three lost objects in the virtual game. While the medieval level was based on a 3D scan of the archaeological park, the other two levels were reconstructed based on archaeological material. Currently, only a PC version is working, but the team works on a mobile version as well and teased the possibility that the source code will be made available open source. Lastly, the team also evaluated the game and its perception through surveys, interviews, and focus groups. Although the surveys were only based on 21 persons, the results came back positive overall.

The paper is well-written and follows a consistent structure. The authors clearly define the goals and setting of the project and how they developed and evaluated the game. Although it has be criticized that the game is not playable yet and the size of the questionnaire is too low, the authors clearly replied to the reviews and clarified the situation on both matters. They also attended to nearly all of the reviewers demands and answered them concisely in their response. In my personal opinion, I can fully recommend this paper for publication.

For future works, it is recommended that the authors enlarge their audience for the quesstionaire in order to get more representative results. It it also recommended to make the game available as soon as possible also outside of the archaeological park. I would also like to thank the reviewers for their concise and constructive criticism to this paper as well as for their time.

References

Mariotti, Samanta. (2023) Transforming the Archaeological Record Into a Digital Playground: a Methodological Analysis of The Living Hill Project, Zenodo, 8302563, ver. 5 peer-reviewed and recommended by Peer Community in Archaeology https://doi.org/10.5281/zenodo.8302563

The pioneering work of Leroi-Gourhan introduced archaeologists to the concept of the chaîne opératoire[1], whereby, like his supervisor Mauss[2], Leroi-Gourhan proposed direct links between bodily actions and aspects of cultural identity. The chaîne opératoire offers a powerful conceptual tool with which to reconstruct and describe the technological practices undertaken by craftspeople, linking material objects to the cultural context in which crafts are learnt. Although initially applied to lithics, the concept today is well known in ceramic studies, as well as, other material crafts, in order to identify aspects of tradition and identity through ideas linked to technological style[3,4] and communities of practice[5].

Utilizing this approach, Denis et al.[6] use the chaîne opératoire to look at both lithics and ceramics together from a diachronic viewpoint, to examine technical systems present over the transition between Linearbandkeramic (LBK) and post LBK Blicquy/Villeneuve-Saint German (BQY/VSG) timeframes. This much needed comparative and diachronic perspective, focuses on material from the sites of Vaux-et-Borset and Verlaine in Belgium, and has enabled the authors to consider the impact of changing social dynamics on these two crafts simultaneously.

The authors examine the ceramic and lithic assemblages from a macroscopic and morphological perspective in order to identify techniques of production. The data gathered testifies to the dominance of one production technique for each craft within the LBK. There is particularly striking homogeneity noted for the lithics that suggests the transmission of a single tradition over the Hesbaye area, whilst the ceramics display greater regional diversity. The picture alters somewhat for the BQY/VSG material where it seems there is an increase in the diversity of production techniques, with both the introduction of new techniques, as well as a degree of hybridization of earlier techniques to form new BQY/VSG chaînes opératoires that have LBK roots. The BQY/VSG diversity noted for the lithics is especially interesting, with the introduction of techniques that attest to increased expertise which the authors attest to the migration of an external group.

The results of this work have allowed Denis et al. to discuss multiple influences on the technical systems they identify. Rather than trying to fit the data within a single model, the authors demonstrate the need for nuance, considering the social changes associated with Neolithic migration and interactions, as multifaced and dynamic. As such, they are able to show not only the influence of contact with other groups, but that the apparent migration of external groups does not simply lead to the replacement of the crafting heritage already established at the sites they have examined.

In concluding the authors acknowledge, that as scholars push the existing state of knowledge (in this respect analysis of raw materials would make an especially important contribution), the picture presented in the paper may alter. Future work will hopefully fill in current gaps, particularly in terms of how far the trends identified extend, and the extent to which the lithic and ceramic pictures diversify on a broader geographical scale. It is certain that based on such results, future work should adopt the comparative approach presented by the authors, who have demonstrated its explanatory potential for understanding the technical and cultural groups we all study.

 
[1] Leroi-Gourhan, A. 1971. Evolution et techniques I- L'Homme et la matière, 2nd Edition. Albin Michel: Paris, Leroi-Gourhan, A. 1973. Evolution et techniques II- Milieu et techniques 2nd Edition. Paris: Albin Michel.

[2] Mauss, M. 2009 [1934]. Techniques, Technology and Civilisation. Edited and introduced by N. Schlanger. New York/Oxford: Durkheim Press/Berghahn Books.

[3] Lechtman, H. 1977. Style in Technology: some early thoughts. In H. Lechtman and R.S. Merrill (eds.) Material Culture: styles, organization and dynamics of technology. Proceedings of the American Ethnological Society 1975, St. Paul, 3-20.

[4] Gosselain, O. 1992. Technology and Style: Potters and Pottery Among Bafia of Cameroon. Man 27(3) 559- 586. htpps://doi.org/10.2307/2803929.

[5] Wenger, E. 1998. Communities of practice: Learning, meaning, and identity. Cambridge: Cambridge University Press.

[6] Denis, S., Gomart, L., Burnez-Lanotte, L. and Allard, P. (2023). Transmission of lithic and ceramic technical know-how in the Early Neolithic of central-western Europe: Shedding Light on the Social Mechanisms underlying Cultural Transition. OSF Preprints, gqnht, ver. 5 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.31219/osf.io/gqnht