This paper (Raykovska et al. 2023) discusses the digital documentation techniques and development of a virtual exhibition for artefacts retrieved from the necropolis of Baley, Bulgaria. The principal aim of this particular project is a solid one, trying to provide a solution to display artefacts that would otherwise remain hidden in museum storerooms. The paper describes how through a combination of 3D scanning and photogrammetry high quality 3D models have been produced, and provide content for an online virtual exhibition for the scientific community but also the larger public. It is a well-written and concise paper, in which the information on developed methods and techniques are transparently described, and various important aspects of digitization workflows, such as the importance of storing raw data, are addressed.

The paper is a timely discussion on this subject, as strategies to develop digital artefact collections and what to do with those are increasingly being researched. Specifically, it discusses a workflow and its results, both in great detail. Although critical reflection on the process, goals and results from various perspectives would have been a valuable addition to the paper (cf., Jeffra 2020, Paardekoper 2019), it nonetheless provides a good practice example of how to approach the creation of a virtual museum. Those who consider projects concerning digital documentation of archaeological artefacts as well as the creation of virtual spaces to use those in for research, education or valorisation purposes would do well to read this paper carefully.

References

Jeffra, C., Hilditch, J., Waagen, J., Lanjouw, T., Stoffer, M., de Gelder, L., and Kim, M. J. (2020). Blending the Material and the Digital: A Project at the Intersection of Museum Interpretation, Academic Research, and Experimental Archaeology. The EXARC Journal, 2020(4). https://exarc.net/ark:/88735/10541 

Paardekooper, R.P. (2019). Everybody else is doing it, so why can’t we? Low-tech and High-tech approaches in archaeological Open-Air Museums. The EXARC Journal, 2019(4). https://exarc.net/ark:/88735/10457/ 

Raykovska, M., Jones, K., Klecherova, H., Alexandrov, S., Petkov, N., Hristova, T., and Ivanov, G. (2023). Implementing Digital Documentation Techniques for Archaeological Artifacts to Develop a Virtual Exhibition: the Necropolis of Baley Collection. https://doi.org/10.5281/zenodo.10091870

“What is a form? On the classification of archaeological pottery” by P. Boissinot (1) is a timely contribution to broader theoretical reflections on classification and ordering practices in archaeology, including type-construction and justification. Boissinot rightly reminds us that engagement with the type concept always touches upon the uneasy relationship between the abstract and the concrete, alternatively cast as the ongoing struggle in knowledge production between idealization and particularization. Types are always abstract and as such both ‘more’ and ‘less’ than the concrete objects they refer to. They are ‘more’ because they establish a higher-order identity of variously heterogeneous, concrete objects and they are ‘less’ because they necessarily reduce the richness of the concrete and often erase it altogether. The confusion that types evoke in archaeology and elsewhere has therefore a lot to do with the fact that types are simply not spatiotemporally distinct particulars. As abstract entities, types so almost automatically re-introduce the question of universalism but they do not decide this question, and Boissinot also tentatively rejects such ambitions. In fact, with Boissinot (1) it may be said that universality is often precisely confused with idealization, which is indispensable to all archaeological ordering practices. 

Idealization, increasingly recognized as an important epistemic operation in science (2, 3), paradoxically revolves around the deliberate misrepresentation of the empirical systems being studied, with models being the paradigm cases (4). Models can go so far as to assume something strictly false about the phenomena under consideration in order to advance their epistemic goals. In the words of Angela Potochnik (5), ‘the role of idealization in securing understanding distances understanding from truth but […] this understanding nonetheless gives rise to scientific knowledge’. The affinity especially to models may in part explain why types are so controversial and are often outright rejected as ‘real’ or ‘useful’ by those who only recognize the existence of concrete particulars (nominalism). As confederates of the abstract, types thus join the ranks of mathematics and geometry, which the author identifies as prototypical abstract systems. Definitions are also abstract. According to Boissinot (1), they delineate a ‘position of limits’, and the precision and rigorousness they bring comes at the cost of subjectivity. This unites definitions and types, as both can be precise and clear-cut but they can never be strictly singular or without alternative – in order to do so, they must rely on yet another higher-order system of external standards, and so ad infinitum. 

Boissinot (1) advocates a mathematical and thus by definition abstract approach to archaeological type-thinking in the realm of pottery, as the abstractness of this approach affords relatively rigorous description based on the rules of geometry. Importantly, this choice is not a mysterious a priori rooted in questionable ideas about the supposed superiority of such an approach but rather is the consequence of a careful theoretical exploration of the particularities (domain-specificities) of pottery as a category of human practice and materiality. The abstract thus meets the concrete again: objects of pottery, in sharp contrast to stone artefacts for example, are the product of additive processes. These processes, moreover, depend on the ‘fusion’ of plastic materials and the subsequent fixation of the resulting configuration through firing (processes which, strictly speaking, remove material, such as stretching, appear to be secondary vis-à-vis global shape properties). Because of this overriding ‘fusion’ of pottery, the identification of parts, functional or otherwise, is always problematic and indeterminate to some extent. As products of fusion, parts and wholes represent an integrated unity, and this distinguishes pottery from other technologies, especially machines. The consequence is that the presence or absence of parts and their measurements may not be a privileged locus of type-construction as they are in some biological contexts for example. The identity of pottery objects is then generally bound to their fusion. As a ‘plastic montage’ rather than an assembly of parts, individual parts cannot simply be replaced without threatening the identity of the whole. Although pottery can and must sometimes be repaired, this renders its objects broadly morpho-static (‘restricted plasticity’) rather than morpho-dynamic, which is a condition proper to other material objects such as lithic (use and reworking) and metal artefacts (deformation) but plays out in different ways there. This has a number of important implications, namely that general shape and form properties may be expected to hold much more relevant information than in technological contexts characterized by basal modularity or morpho-dynamics.

It is no coincidence that ‘fusion’ is also emphasized by Stephen C. Pepper (6) as a key category of what he calls contextualism. Fusion for Pepper pays dividends to the interpenetration of different parts and relations, and points to a quality of wholes which cannot be reduced any further and integrates the details into a ‘more’. Pepper maintains that ‘fusion, in other words, is an agency of simplification and organization’ – it is the ‘ultimate cosmic determinator of a unit’ (p. 243-244, emphasis added). This provides metaphysical reasons to look at pottery from a whole-centric perspective and to foreground the agency of its materiality. This is precisely what Boissinot (1) does when he, inspired by the great techno-anthropologist François Sigaut (7), gestures towards the fact that elementarily a pot is ‘useful for containing’. He thereby draws attention not to the function of pottery objects but to what pottery as material objects do by means of their material agency: they disclose a purposive tension between content and container, the carrier and carried as well as inclusion and exclusion, which can also be understood as material ‘forces’ exerted upon whatever is to be contained. This, and not an emic reading of past pottery use, leads to basic qualitative distinctions between open and closed vessels following Anna O. Shepard’s (8) three basic pottery categories: unrestricted, restricted, and necked openings. These distinctions are not merely intuitive but attest to the object-specificity of pottery as fused matter. 

This fused dimension of pottery also leads to a recognition that shapes have geometric properties that emerge from the forced fusion of the plastic material worked, and Boissinot (1) suggests that curvature is the most prominent of such features, which can therefore be used to describe ‘pure’ pottery forms and compare abstract within-pottery differences. A careful mathematical theorization of curvature in the context of pottery technology, following George D. Birkhoff (9), in this way allows to formally distinguish four types of ‘geometric curves’ whose configuration may serve as a basis for archaeological object grouping. The idealization involved in this proposal is not accidental but deliberately instrumental – it reminds us that type-thinking in archaeology cannot escape the abstract. It is notable here that the author does not suggest to simply subject total pottery form to some sort of geometric-morphometric analysis but develops a proposal that foregrounds a limited range of whole-based geometric properties (in contrast to part-based) anchored in general considerations as to the material specificity of pottery as quasi-species of objects.

As Boissinot (1) notes himself, this amounts to a ‘naturalization’ of archaeological artefacts and offers somewhat of an alternative (a third way) to the old discussion between disinterested form analysis and functional (and thus often theory-dependent) artefact groupings. He thereby effectively rejects both of these classic positions because the first ignores the particularities of pottery and the real function of artefacts is in most cases archaeologically inaccessible. In this way, some clear distance is established to both ethnoarchaeology and thing studies as a project. Attending to the ‘discipline of things’ proposal by Bjørnar Olsen and others (10, 11), and by drawing on his earlier work (12), Boissinot interestingly notes that archaeology – never dealing with ‘complete societies’ – could only be ‘deficient’. This has mainly to do with the underdetermination of object function by the archaeological record (and the confusion between function and functionality) as outlined by the author. It seems crucial in this context that Boissinot does not simply query ‘What is a thing?’ as other thing-theorists have previously done, but emphatically turns this question into ‘In what way is it not the same as something else?’. He here of course comes close to Olsen’s In Defense of Things insofar as the ‘mode of being’ or the ‘ontology’ of things is centred. What appears different, however, is the emphasis on plurality and within-thing heterogeneity on the level of abstract wholes. With Boissinot, we always have to speak of ontologies and modes of being and those are linked to different kinds of things and their material specificities. Theorizing and idealizing these specificities are considered central tasks and goals of archaeological classification and typology. As such, this position provides an interesting alternative to computational big-data (the-more-the-better) approaches to form and functionally grounded type-thinking, yet it clearly takes side in the debate between empirical and theoretical type-construction as essential object-specific properties in the sense of Boissinot (1) cannot be deduced in a purely data-driven fashion.

Boissinot’s proposal to re-think archaeological types from the perspective of different species of archaeological objects and their abstract material specificities is thought-provoking and we cannot stop wondering what fruits such interrogations would bear in relation to other kinds of objects such as lithics, metal artefacts, glass, and so forth. In addition, such meta-groupings are inherently problematic themselves, and they thus re-introduce old challenges as to how to separate the relevant super-wholes, technological genesis being an often-invoked candidate discriminator. The latter may suggest that we cannot but ultimately circle back on the human context of archaeological objects, even if we, for both theoretical and epistemological reasons, wish to embark on strictly object-oriented archaeologies in order to emancipate ourselves from the ‘contamination’ of language and in-built assumptions.

Bibliography

1. Boissinot, P. (2024). What is a form? On the classification of archaeological pottery, Zenodo, 7429330, ver. 4 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.10718433

2. Fletcher, S.C., Palacios, P., Ruetsche, L., Shech, E. (2019). Infinite idealizations in science: an introduction. Synthese 196, 1657–1669. https://doi.org/10.1007/s11229-018-02069-6

3. Potochnik, A. (2017). Idealization and the aims of science (University of Chicago Press). https://doi.org/10.7208/chicago/9780226507194.001.0001

4. J. Winkelmann, J. (2023). On Idealizations and Models in Science Education. Sci & Educ 32, 277–295. https://doi.org/10.1007/s11191-021-00291-2

5. Potochnik, A. (2020). Idealization and Many Aims. Philosophy of Science 87, 933–943. https://doi.org/10.1086/710622

6. Pepper S. C. (1972). World hypotheses: a study in evidence, 7. print (University of California Press).

7. Sigaut, F. (1991). “Un couteau ne sert pas à couper, mais en coupant. Structure, fonctionnement et fonction dans l’analyse des objets” in 25 Ans d’études Technologiques En Préhistoire. Bilan et Perspectives (Association pour la promotion et la diffusion des connaissances archéologiques), pp. 21–34.

8. Shepard, A. O. (1956). Ceramics for the Archeologist (Carnegie Institution of Washington n° 609).

9. Birkhoff G. D. (1933). Aesthetic Measure (Harvard University Press).

10. Olsen, B. (2010). In defense of things: archaeology and the ontology of objects (AltaMira Press). https://doi.org/10.1093/jdh/ept014

11. Olsen, B., Shanks, M., Webmoor, T., Witmore, C. (2012). Archaeology: the discipline of things (University of California Press). https://doi.org/10.1525/9780520954007

12. Boissinot, P. (2011). “Comment sommes-nous déficients ?” in L’archéologie Comme Discipline ? (Le Seuil), pp. 265–308.

Over the last decade, a small but growing community of archaeologists, from a diversity of intellectual and demographic backgrounds, have been striving for computational reproducibility in their published research. In their survey of the accomplishments of this thriving community, Emma Karoune and Esther Plomp (2022) analyzed the wide variety of approaches researchers have taken to enhance the reproducibility of their research. A key contribution of this paper is their excellent synthesis of diverse approaches into three levels of increasing complexity. This is helpful because it provides multiple entry points for researchers new to the challenge of fortifying their research. Many researchers assume that computational reproducibility is only achievable if they have a high degree of technical skill with computers, or is only necessary if their work is very computationally intensive. Karoune and Plomp give three compelling reasons why reproducibility is important for all archaeological research, and through their three levels they demonstrate that how these levels can be accomplished with basic, non-specialized computer skills and widely used free software. They showcase exemplary work from a variety of archaeologists to show how practical and achievable reproducible research is for all archaeologists. They advocate for archaeologists to use the most widely used and supported tools and services to support their reproducible research, such as the R and Python programming languages for data analysis, and Git and GitHub for collaboration. 

This paper, with its extensive appendix including thoughtful responses to frequently asked questions about reproducible research in archaeology, is likely to have a wide reach and influence, beyond previous works on this topic that have largely focused on technical details. Karoune and Plomp have provided the on-ramp for a generation of archaeologists who will find their questions about reproducible research answered here. They will also find an agreeable entry point to reproducible research in one of the three levels described by the authors. Will every archaeologist embrace this way of working? Should they? The work of Leonelli (2018) can help us anticipate the answers to these questions. Leonelli asks where are the limits to reproducibility, and how do the characteristics of different ways of knowing affect the desirability of reproducibility? Leonelli's work invites us to consider that there will be archaeologists coming from different epistemic cultures for whom the motivations presented by Karoune and Plomp will not resonate. For example, archaeologists engaged in mostly hermeneutical social science and humanities research, who do little or no quantitative analysis and statistics, are unlikely to see reproducibility as meaningful or desirable for their work. We can describe these researchers as working in interpretative or constructivist epistemic cultures. In these cultures, the particulars of how an individual researcher engages with their subject are exclusive and unique, and they would argue it cannot be fully captured or shared in an meaningful way (Elman and Kapiszewski 2017). Here, knowledge is situational, emerging from a specific, once-off combination of people and circumstances. One example in archaeology is the chaîne opératoire approach of stone artefact analysis, which Monnier and Missal (2014:61) describe as "based upon the analyst's experience and intuition, and it is not replicable, nor quantifiable". To make sense of this example we can draw on Galison's (1997) concept of 'image traditions' and 'logic traditions'. An image tradition is a way of knowing that is qualitative, based on composing narratives from drawings and photographs. A logic tradition is based on the use of instruments and statistical methods to collect standardised quantitative data. Chaîne opératoire approaches fall into the image tradition, along with many other ways of working in archaeology that do not generate numbers or use them to support claims about the past. Archaeologists working in a logic tradition will find reproducible research to be more meaningful than those working in an image tradition.

We should be mindful not to claim that one epistemic culture is superior to another because reproducibility is not meaningful or attainable for researchers in one culture. Such a claim would threaten the plurality that is essential for the reliability of scientific knowledge (Massimi 2022). Instead we should identify those communities in archaeology where reproducible research is both meaningful and attainable, but has not yet been widely embraced. That is the where the most beneficial effects can be expected. According to Leonelli's (2018) framework, we can recognise these communities by a few basic characteristics. For example: they are doing computationally intensive archaeology, such as using or writing software to collect, simulate, analyse or visualise data; they are doing experimental archaeology; or they are making knowledge claims that are supported by tables of numeric data and data visualisations. Archaeologists whose work shares one or more of these characteristics will find the guidance provided here by Karoune and Plomp to be highly instructive and relevant, and stand the most to benefit from it.  ​​

But it is not only individual archaeological scientists that have potential to benefit from how Karoune and Plomp have lowered the barriers to reproducible research. An especially important implication of this paper is that by lowering the barriers to reproducible research, Karoune and Plomp help us all to lower barriers to participation in archaeology in general. Documenting our research transparently, and sharing our materials (such as data and code and so on) openly, can profoundly change how others can participate in archaeology. By doing this, we are enabling students and researchers elsewhere, for example in low and middle income locations, to use our materials in their teaching and learning. Other researchers and students can apply our methods to their data, and combine their data with ours to achieve syntheses beyond what a single project can do. Similarly, for archaeologists working with local, descendant or marginalized communities, the tools of reproducible research are vital for enabling community members to have full access to the archaeological process, and thus reproducibility may be considered a necessity for decolonising the discipline. Karoune and Plomp present the CARE principles (Carroll et al. 2020) to guide archaeologists in ensuring community control of data so that reproducibility can be ethically accomplished with community safety and well-being as a priority. This may have a profoundly positive impact on the demographics of archaeology, as it lowers the barriers of meaningful participation by people far beyond our immediate groups of collaborators. 

Making archaeology more accessible is of critical importance in stemming the negative social impacts of pseudoarchaeologists, who often claim that archaeologists actively suppress the truth of the archaeological record through secrecy, elitism, and exclusiveness. The harm in this is twofold. First, that pseudoarchaeology typically erases Indigenous heritage by claiming that their past achievements were due to an ancient, extinct advanced civilization, not Indigenous people. These claims are often adopted by white supremacists to support racist and antisemitic conspiracy theories (Turner and Turner 2021), which sometimes leads to prejudice, physical violence, radicalization and extremism. A second type of harm that can come from claims of secrecy and elitism is it drains public trust in experts, leading to science denial. Not only trust in archaeologists, but trust in many kinds of experts, including those working on urgent contemporary issues such as public health and climate change. Karoune and Plomp's work is important here because it provides a practical and affordable pathway for archaeologists to fight claims of secrecy and elitism by sharing their work in ways that make it possible for non-academics to inspect the analyses and logic in detail. Claims of secrecy and elitism can be easily countered by openness, transparently and reproducibility by archaeologists. This is not only useful for tackling pseudoarchaeologists, but also in enacting an ethic of care, framing members of the public as people that not only care about archaeology as part of humanity's shared heritage, but also care for the construction of reliable interpretations of the archaeological record to provide secure and authentic foundations for their social identities and relationships (Wylie et al 2018; de la Bellacasa 2011). By striving for reproducible research in the way described by Karoune and Plomp, we are practicing a kind of reciprocal care among ourselves as archaeologists, and between archaeologists and members of the public as two communities who care about the human past. 

References

Karoune, E., and Plomp, E. (2022). Removing Barriers to Reproducible Research in Archaeology. Zenodo, 7320029, ver. 5 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.7320029

de la Bellacasa, M. P. (2011). Matters of care in technoscience: Assembling neglected things. Social Studies of Science, 41(1), 85–106. https://doi.org/10.1177/0306312710380301

Carroll, S. R., Garba, I., Figueroa-Rodríguez, O. L., Holbrook, J., Lovett, R., Materechera, S., Parsons, M., Raseroka, K., Rodriguez-Lonebear, D., Rowe, R., Sara, R., Walker, J. D., Anderson, J., and Hudson, M. (2020). The CARE Principles for Indigenous Data Governance. Data Science Journal, 19(1), Article 1. https://doi.org/10.5334/dsj-2020-043​

Elman, C., and Kapiszewski, D. (2017). Benefits and Challenges of Making Qualitative Research More Transparent. Inside Higher Ed 2017,  http://web.archive.org/web/20220407064134/https://www.insidehighered.com/blogs/rethinking-research/benefits-and-challenges-making-qualitative-research-more-transparent (accessed 21 Oct, 2022). 

Galison, P. (1997). Image and logic: a material culture of microphysics. Chicago (IL): University of Chicago Press.

Leonelli, S. (2018). Re-Thinking Reproducibility as a Criterion for Research Quality [preprint]. Available online: http://philsci-archive.pitt.edu/id/eprint/14352 (Accessed 21 Oct 2022).

Massimi, M. (2022). Perspectival realism. Oxford University Press.

Monnier, G. F., and Kele M.. "Another Mousterian debate? Bordian facies, chaîne opératoire technocomplexes, and patterns of lithic variability in the western European Middle and Upper Pleistocene." Quaternary International 350 (2014): 59-83. https://doi.org/10.1016/j.quaint.2014.06.053

Turner, D. D., and Turner, M. I. (2021). “I’m Not Saying It Was Aliens”: An Archaeological and Philosophical Analysis of a Conspiracy Theory. In A. Killin and S. Allen-Hermanson (Eds.), Explorations in Archaeology and Philosophy (pp. 7–24). Springer International Publishing. https://doi.org/10.1007/978-3-030-61052-4_2

​Wylie, C., Neeley, K., and Ferguson, S. (2018). Beyond Technological Literacy: Open Data as Active Democratic Engagement? Digital Culture & Society, 4(2), 157–182. https://doi.org/10.14361/dcs-2018-0209​​​​

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​The paper “Percolation Package – From Script Sharing to Package Publication” by Sophie C. Schmidt and Simon Maddison (2023) describes the development of an R package designed to apply Percolation Analysis to archaeological spatial data. In an earlier publication, Maddison and Schmidt (2020) describe Percolation Analysis and provide case studies that demonstrate its usefulness at different spatial scales. In the current paper, the authors use their experience collaborating to develop the R package as part of a broader argument for the importance of code sharing to the research process. 

The paper begins by describing the development process of the R package, beginning with borrowing code from a geographer, refining it to fit archaeological case studies, and then collaborating to further refine and systematize the code into an R package that is more easily reusable by other researchers. As the review by Joe Roe noted, a strength of the paper is “presenting the development process as it actually happens rather than in an idealized form.” The authors also include a section about the lessons learned from their experience. 

Moving on from the anecdotal data of their own experience, the authors also explore code sharing practices in archaeology by briefly examining two datasets. One dataset comes from “open-archaeo” (https://open-archaeo.info/), an on-line list of open-source archaeological software maintained by Zack Batist. The other dataset includes articles published between 2018 and 2023 in the Journal of Computer Applications in Archaeology. Schmidt and Maddison find that these two datasets provide contrasting views of code sharing in archaeology: many of the resources in the open-archaeo list are housed on Github, lack persistent object identifiers, and many are not easily findable (other than through the open-archaeo list). Research software attached to the published articles, on the other hand, is more easily findable either as a supplement to the published article, or in a repository with a DOI.

The examination of code sharing in archaeology through these two datasets is preliminary and incomplete, but it does show that further research into archaeologists’ code-writing and code-sharing practices could be useful. Archaeologists often create software tools to facilitate their research, but how often?  How often is research software shared with published articles? How much attention is given to documentation or making the software usable for other researchers? What are best (or good) practices for sharing code to make it findable and usable? Schmidt and Maddison’s paper provides partial answers to these questions, but a more thorough study of code sharing in archaeology would be useful. Differences among journals in how often they publish articles with shared code, or the effects of age, gender, nationality, or context of employment on attitudes toward code sharing seem like obvious factors for a future study to consider.

Shared code that is easy to find and easy to use benefits the researchers who adopt code written by others, but code authors also have much to gain by sharing. Properly shared code becomes a citable research product, and the act of code sharing can lead to productive research collaborations, as Schmidt and Maddison describe from their own experience. The strength of this paper is the attention it brings to current code-sharing practices in archaeology. I hope the paper will also help improve code sharing in archaeology by inspiring more archaeologists to share their research code so other researchers can find and use (and cite) it. 

References

Maddison, M.S. and Schmidt, S.C. (2020). Percolation Analysis – Archaeological Applications at Widely Different Spatial Scales. Journal of Computer Applications in Archaeology, 3(1), p.269–287. https://doi.org/10.5334/jcaa.54 

Schmidt, S. C., and Maddison, M. S. (2023). Percolation Package - From script sharing to package publication, Zenodo, 7966497, ver. 3 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.7966497

Archaeology specific BERT models for English, German, and Dutch” (Brandsen 2024) explores the use of BERT-based models for Named Entity Recognition (NER) in archaeology across three languages: English, German, and Dutch. It introduces six models trained and fine-tuned on archaeological literature, followed by the presentation and evaluation of three models specifically tailored for NER tasks. The focus on multilingualism enhances the applicability of the research, while the meticulous evaluation using standard metrics demonstrates a rigorous methodology.

The introduction of NER for extracting concepts from literature is intriguing, while the provision of a method for others to contribute to BERT model pre-training enhances collaborative research efforts. The innovative use of BERT models to contextualize archaeological data is a notable strength, bridging the gap between digitized information and computational models.

Additionally, the paper's release of fine-tuned models and consideration of environmental implications add further value.

In summary, the paper contributes significantly to the task of NER in archaeology, filling a crucial gap and providing foundational tools for data mining and reevaluating legacy archaeological materials and archives.

Reference

Brandsen, A. (2024). Archaeology specific BERT models for English, German, and Dutch. Zenodo, 8296920, ver. 5 peer-reviewed and recommended by Peer Community in Archaeology. https://doi.org/10.5281/zenodo.8296920